#mark 5

This new compact shooter from Sony is indeed capable but expect it to carry a bit of a tag since the mark IV was priced at Php49,999. The Canon EOS R6 V marks a new chapter in Canon's video-first full-frame mirrorless lineup. While it shares plenty of DNA with the EOS R6 Mark III, this new model shifts its focus towards hybrid creators, filmmakers, and solo productions by introducing cinema-inspired controls, internal cooling, Power Zoom lens support, and workflow enhancements designed around modern content creation. Compared to its sibling, the EOS R6 Mark III, the R6 V ditches the mechanical shutter, electronic viewfinder, and 1 stop of IBIS. Eye tracking stays remarkably sticky even during unpredictable movement, while focus transitions remain smooth enough for professional video work. Sharpness remains consistently high from edge to edge, contrast is excellent, flare resistance is what we'd expect from an L-series lens, and image stabilization works together with the camera's 7.5 stops of IBIS to produce remarkably stable handheld footage. (I mean, that is why it’s called the R6 V and not the R6 Mark III.) Canon clearly designed this camera with filmmakers and more video-focused hybrid creators in mind. With slight hiccups for the 7K open-gate footage if you're an video editor new to proxy workflows (and yes, that's for OG footage shot in LOG or not.) Mechanically, active cooling is arguably the biggest upgrade compared to its brother (R6 mark III). Read more in our articles including "Sony launches new RX100 Mark V" and "Canon EOS R6 V with RF 20-50mm f/4L IS USM PZ Review | A video content powerhouse!".